Coding theory is the study of the properties of codes and their fitness for a specific application. Codes are used for data compression, cryptography, error-correction and more recently also for network coding. Codes are studied by various scientific disciplines—such as information theory, electrical engineering, mathematics, and computer science—for the purpose of designing efficient and reliable data transmission methods. This typically involves the removal of redundancy and the correction (or detection) of errors in the transmitted data.
There are essentially two aspects to Coding theory:
- Data compression (or, source coding)
- Error correction (or, channel coding).
These two aspects may be studied in combination. Source encoding attempts to compress the data from a source in order to transmit it more efficiently. This practice is found every day on the Internet where the common Zip data compression is used to reduce the network load and make files smaller. The second, channel encoding, adds extra data bits to make the transmission of data more robust to disturbances present on the transmission channel. The ordinary user may not be aware of many applications using channel coding. A typical music CD uses the Reed-Solomon code to correct for scratches and dust. In this application the transmission channel is the CD itself. Cell phones also use coding techniques to correct for the fading and noise of high frequency radio transmission. Data modems, telephone transmissions, and NASA all employ channel coding techniques to get the bits through, for example the turbo code and LDPC codes.
Read more about" $new_link:&"nbsp; Channel Coding, Other Applications of Coding Theory, Neural Coding
Other articles related to "compression, data, coding":
... loudness is achieved by using higher degrees of compression and limiting during mixing and mastering compression algorithms have been engineered specifically to accomplish the ... have noticed for years While commercials receive heavy compression for the same reason that radio broadcasters have traditionally used it (to achieve a "loud" audio image), TV ...
... signal transmission and encryption with MPEG-2 signal video compression used on many communications satellite television and audio signals ... for a North American digital signal encryption and compression standard was DigiCipher 1, which was used most notably in the now-defunct PrimeStar medium-power direct broadcast ... predates wide acceptance of DVB-based digital terrestrial television compression (although not cable or satellite DVB) and therefore is incompatible with the DVB standard ...
... TIFF is a flexible, adaptable file format for handling images and data within a single file, by including the header tags (size, definition, image-data arrangement, applied image compression) defining the image ... The ability to store image data in a lossless format makes a TIFF file a useful image archive, because, unlike standard JPEG files, a TIFF file using lossless ... TIFF offers the option of using LZW compression, a lossless data-compression technique for reducing a file's size ...
... The engine was also revised with higher compression ratio and revised manifolding increasing the power output to 49.5 bhp (37 kW 50 PS) ... The increased capacity coincided with a further increase in the compression ration of the standard engine from 8.11 to 8.51, reflecting the continuing ... A sporty derivative, the VX4/90, was also available, with twin-carburettor, high-compression, engine giving 71 bhp (53 kW 72 PS) and servo-assisted ...
... Mercury II (1928) 420 hp, compression ratio 5.31 ... Mercury IIA (1928) 440 hp Mercury III (1929) 485 hp, compression ratio 4.81, 0.51 reduction gear ... Pegasus IU.2) Mercury VIIA 560 hp (became the Pegasus IM.2) Mercury VIII (1935) 825 hp, compression ratio 6.251, lightened engine ...
... one of the following adding T-stages to the LP/IP compression adding a zero-stage to the HP compression improving the compression process, without adding stages (e.g ...
... Compression is used extensively in broadcasting to boost the perceived volume of sound while reducing the dynamic range of source audio (typically CDs) to a range that can be accommodated by the ... these limits are met by permanently inserted hardware in the on-air chain (see multiband compression above) ... to check if some compression may be needed to fit it into the channel of a specific delivery platform), the EBU also introduced the Loudness Range ...
... The advantage of multiband compression over full-bandwidth (full-band, or single-band) compression is that unneeded audible gain changes or "pumping" in other ...
... Compression is used in voice communications in amateur radio that employ SSB modulation ... power would be stronger than it would be had compression not been used ... Compression is also used in land mobile radio, especially in transmit audio of professional walkie-talkies and in remote control dispatch consoles ...
... Eight of these tracks contained audio data, the ninth track was used for timing and text information and for markers to indicate the start of a song or the end of a recording ... To compensate, Philips used an audio compression codec based upon MPEG-1 Audio Layer I (MP1) and termed PASC (Precision Adaptive Sub-band Coding) ... the much lower bitrate of 384 kilobits per second, a compression ratio of around 41 ...
Famous quotes containing the words theory, data and/or compression:
“The ancient bitter opposition to improved methods [of production] on the ancient theory that it more than temporarily deprives men of employment ... has no place in the gospel of American progress.”
—Herbert Hoover (18741964)
“This city is neither a jungle nor the moon.... In long shot: a cosmic smudge, a conglomerate of bleeding energies. Close up, it is a fairly legible printed circuit, a transistorized labyrinth of beastly tracks, a data bank for asthmatic voice-prints.”
—Susan Sontag (b. 1933)
“Do they [the publishers of Murphy] not understand that if the book is slightly obscure it is because it is a compression and that to compress it further can only make it more obscure?”
—Samuel Beckett (19061989)